One of the most influential works I have read is Winston Churchill's 'History of the Second World War'. This may seem odd coming from a spiritual-musician type. But, with Churchill being an accomplished writer, and having spent time in the field in the Boer War, his capacity to relate what was happening, and to give cohesive sense to such vast events, is unmatched. Rather than a leader, he saw himself as a Knight, fighting the forces of darkness, and it becomes clear on reading that faith and fate were part of his daily staple.

The art that eased his burden was painting, which he declared himself a failure at, but which was the only thing he found that could ward off the depressive fits he suffered from.

Harpo, below, was also involved in politics, and once smuggled a missive for the American Ambassador into Russia, taped securely to the inside of his thigh.

The world outside seems so removed from the inner world of creating sound, but we all know they intersect within our lives. Do they have to be at odds? Are they not able to inform each other? Conviction and sensitivity in notes can be translated into the same approach in politics. Freedom and innovation in style of composition can influence how one goes into a meeting. Determination and patience at drawing out a melody can inform one on how to develop a negotiation.

There are no specific guarantees in this, rather, like in playing, the experience itself is the reward, and the final product belongs to no one. The music, if approached correctly, can help guide one through the politics of life.

In his will, Harpo donated his harp to the nation of Israel.

Demo Track for upcoming CD
"The Farmer's Cathedral

Few people watching would have remembered Harpo as a musical master at the level of anyone they may have seen on a classical stage. He chose to adapt his incredible gift into the humour and schtick that earned his family a living, and it seems likely that he never regretted it.

Harpo was entirely self-taught. after receiving a harp as a gift, he went to a five-and-dime store to look at a picture of a girl playing the harp so he would know how to hold it. He also taught himself to play three pieces on the piano, then adapted their tempo and style for various film bits.

The piece I like best, and cannot find on YouTube is his perfromance of 'Summertime' in 'At the Circus.' Besides the laughs, its worth the movie just for this beauty.